Naughty girls

Written by: Fathi Al-Jundi. Directed by: Ahmed Shaheen
Distributed by: Al-Irtiqa International Foundation
Starring: Nahal Anbar, Nesma Mahmoud, Mayar Al-Balawi, Amina Al-Hantour, Yasmine Gamal, Heba Kamel, Rehab Al-Gamal, Nadia Al-Iraqiya, Badria Tolba, Dina Abu Al-Saud, Abeer Makkawi, Iman Samir
Guest Stars:
Sawsan Badr, Mona Abdel Ghani, Menna Fadali, Presenter Soheir Shalaby, Aida Fahmy, Dancer Hiam
Director of Photography: Emad Othman
Lighting Director: Osama Omar
Soundtrack: Hossam Hosni
Music by: Mohamed Abdel Moneim
Vocation by: Amina
A beautiful location where the events unfold internally and externally between different sets that suit the events that begin with suspense, excitement, and sometimes horror through the ghost of (Mayar), the murdered woman, who haunts "Mona," the young journalist and one of the women who live in the resort run by "Dawlat" Hanem, the aristocratic lady who runs the resort as if it were a military residence.
The resort is only inhabited and entered by women... women only...
New events unfold every day through the girls' daily lives in a social comedy format, in which we imitate the girls' various problems, but behind each one, we imitate stories. As we investigate, we search for the one who killed Mayar. Suspicions surround everyone in the resort, starting with "Dawlat Hanem," who lived in misery with her ex-husband until he died. It may be her daughter, "Dolly," who is the subject of suspicion because Mayar's ghost haunts Mona in her dreams and while awake. In the pool, by the waterfall that bleeds, at the parking lot, and in the mango garden, Mona spots "Dolly" crying in these places. Her suspicions increase, and she confronts "Dawlat" and "Dolly" to find out what is going on inside each of them: pain, suffering, male oppression, and new problems.
The events continue with mischief, mischief, comedic pranks, suspense, and suspicions of each other. Is it possible that... The killer is "for her own sake," released from prison after serving a sentence for killing her husband, whom she put in plastic bags. However, sympathy for "for her own sake" distances her from murder and injustice, even though she was the one who suffered the utmost injustice.
Perhaps "Waheeba," the young Upper Egyptian woman studying at the Faculty of Economics and Political Science, is a lighthearted person who dreams of becoming an ambassador. However, she, too, suffers from oppression in Upper Egypt and has a story that destroys her dreams.
Through the resort girls, we discuss all the issues of Egyptian and Arab women, sometimes in a different light... and sometimes we cry and feel pain with them. We present to everyone a different mini-drama (combining indoor and outdoor filming). A series in which we see nothing but women. Each episode ends without us seeing a single man, not even a child, even though we discuss issues where the oppressor is always the man. We present the negatives of society and discuss women's issues, such as divorce, khul', customary marriage, sexual harassment, poverty, ignorance, hookah, and men's constant oppression of women, as well as many other problems we discuss while searching for "Mayar's" killer.
Of course. Because "Maryam" is the blind young woman studying at Al-Azhar, always fearful of men, who acts like a sighted person, which sparks comedic situations. She mocks her blindness, even though she lost it for a reason that makes us all cry.
Who killed Mayar?!
Perhaps "Sawsan" is the carefree young woman studying tourism, who loves hookah and staying up late, and who starts a "shishbook" website with some hookah friends. We laugh a lot with her, and she is the one who hurts us when we learn the truth about her.
And she won't be "Sabreen", the serious, veiled engineer who always loves isolation and is a slave to girls and hates men.
And of course, she won't be "Hoda", the romantic young woman who came to the resort months after "Mayar's" death, whose parents work in Kuwait... who fell in love with a young man, married him in a customary marriage, and became pregnant by him...
He is the scoundrel who disowned her and tore up the customary marriage contract. She tries to save herself, and the girls stand by her.
The ghost of "Mayar" still haunts "Mona", who doubts everyone and herself, and who is plagued by worries about what lies beyond her. Worries.
She doubts "Nancy, the beautiful Lebanese woman with the beautiful voice, who is spoiled and loves art... singing... acting, which she shares with "Nesma," who studies veterinary medicine and dreams of marrying a man like "Ahmed Ezz." She always shares her passion for acting with Nancy in comedic situations...
Diaries, events, and many female guests... We discuss all women's issues in a dramatic work that is absent from men.
We search for "Mayar's" killer, which we learn about in the last episode (the thirtieth), and we are increasingly eager to await the second part.